Initiateurs et partenaires du projet
Initiateurs
UMI 233 trans VIH MI/ INSERM U 1175
Université Royale des Beaux Arts Phnom Penh
Partenaires
http://sites.sas.upenn.edu/tlc/
Agence Universitaire de la Francophonie - Bureau Asie Pacifique
HSEPP soutient le projet Manusastra !
Bulletin HSEPP novembre & décembre 2017
HSEPP November &December 2017 Digest
Dear HSEPP Members and Friends,
Here’s our HSEPP November &December 2017 Digest. You are all welcome to share your suggestions, publications and informations with us and to come to present a research paper to the HSEPP conference. Scholars and researchers who wish to give a lecture presenting need to send us a bio data, presentation title and abstract in English and French, as well as a proposed date. For any questions, please feel free to contact us. Lectures can be given in Khmer, French, or English.
· CALL FOR PAPERS
CALL FOR PAPERS, for the panel Bodies of Archives/Archival Bodies (P029)
Due by 8th January 2018
This is part of the Art, Materiality and Representation Conference hosted by the Royal Anthropological Institute (RAI) at The British Museum, Clore Centre and SOAS, London, 1st-3rd June 2018.
Convenors: Jennifer Clarke (Gray's School of Art, RGU), Giulia Battaglia (IRMECCEN, Université Sorbonne Nouvelle; IIAC/EHESS) and Fiona Siegenthaler (University of Basel)
Abbreviated Abstract
This panel calls for academic and artistic interventions that discuss objects, images and/or bodies as archives of experiences and processes.
Our panel begins with the premise that archives, prone to decay, dissolution and re-arrangement, are permanently in process. Our interest is not limited to objects, but also to the idea of the body (or collective bodies) as archives of experience.
In particular, we are interested in the archive's potential for collaborative artistic and ethnographic practices: What forms of collaborative work does the archive offer? In what ways can the collective sensibility of the archive be explored? What can we gain from a process-based notion of the archive? What implications does this have on the role of the archive in art and anthropology, and for the practices related to it in particular?
Please provide a proposal by 8th January 2018 to the following online form:
http://nomadit.co.uk/rai/events/rai2018/conferencesuite.php/panels/6079
Proposals must consist of a paper title, a short abstract of less than 300 characters and an abstract of 250 words. The inclusion of multimedia, film, audio, or other elements as part of the presentation would be very welcome. Please contact the convenors if you would like any further information.
For further details about the overall conference please see:
https://www.therai.org.uk/conferences/art-materiality-and-representation
Full Abstract
The concept of the 'archive' had arguably received insufficient critical attention in anthropology until relatively recently despite its central role in research practices. However, recent work has highlighted the significance of archives for the future of anthropology (Kohl 2013), and ideas about the 'archive' as a static repository of history are being challenged. Interdisciplinary experimentations with forms of archive/archiving are increasingly emerging (cf. the anarchive) raising important questions about both the collaborative and processural nature of archives (Manning 2016).
This panel begins with the premise that archives, prone to decay, dissolution and re-arrangement, are permanently in process (cf. http://grapaub.org/en/archive/). This perspective enables us to engage with cleavages and links between past knowledge and future imagination, as well as the role of representation. Our interest is not limited to objects, but also to the idea of the body (or collective bodies) as archives of experience.
In particular, we are interested in the archive's potential for collaborative artistic and ethnographic practices: What forms of collaborative work does the archive offer? In what ways can the collective sensibility of the archive be explored? What can we gain from a process-based notion of the archive? What implications does this have on the role of the archive in art and anthropology, and for the practices related to it in particular?
Through this panel we call for papers and art/media interventions that explore a variety of contemporary understandings of 'archive' that open up for individuals, groups and institutions possibilities to produce creative anthropological and artistic work.
Call for Papers for a joint meeting of The Asian Society of the History of Medicine (9th meeting) and HOMSEA (History of Medicine in Southeast Asia), 27 – 30 June 2018, Jakarta
Theme: Colonial Medicine after Decolonization: Continuity, Transition, and Change
Deadline for submission: 1 February 2018
Notification of acceptance will be given by 1 March 2018.
Guidelines for Submission:Submissions on all topics related to the history of medicine in Asia are welcome; submissions related to the conference theme are especially encouraged. Participants can submit full panels (2, 3, or 4 papers) as well as individual papers. Paper proposals (title, author, and an abstract in English of no more than 200 words) and a1-page curriculum vitae or panel proposals (a panel proposing of no more than 200 words with abstracts and 1-page CVs of all participants) should be sent by electronic mail to James Dunk (james.dunk@sydney.edu.au). The program committee reserves the right to suggest changes and revisions to abstracts and panel proposals.
Program committee: Dr Harry Yi-Jui Wu (Hong Kong); Dr. Ning Jennifer Chang (Taipei); Prof Laurence Monnais (Montreal); A/Prof Hans Pols (Sydney); Dr. Yu-Chuan Wu (Taipei); Dr. Por Heong Hong (Kuala Lumpur); and members of the Local Arrangements Committee.
Unfortunately, the ASHM cannot offer funds to defray travel expenses due to budget constraints. There is a range of affordable accommodation available near the conference venue. Participants are encouraged to apply for support from their home departments or institutions.
The conference will be hosted by the Indonesian Academy of Sciences, which is located in the new buildings of the Indonesian National Library in the centre of Jakarta.
· CALL FOR CONTRIBUTIONS
Appel à contributions : revue Moussons. Recherche en sciences humaines sur l’Asie du Sud-Est
- Le prochain numéro généraliste de la revueMoussons. Recherche en sciences humaines sur l’Asie du Sud-Estparaîtra en novembre 2018. Il est encore temps d’y participer en envoyant votre contribution avant le 01/03/2018 à l’adresse mailto:irasia-moussons@univ-amu.fr.
- Pour rappel, Moussons est une revue éditée par l’IrAsia (CNRS/Aix-Marseille Université) dédiée aux sciences humaines en Asie du Sud-Est. A vocation bilingue, la revue publie des articles en français et en anglais. Dotée d’un comité éditorial et d’un comité de lecture international, Moussons est inscrite sur la liste de l’HCERES et est indexée par l’ERIH (European Reference Index for the Humanities). La revue est publiée simultanément sous deux formes : une version papier imprimée et diffusée par les Presses universitaires de Provence (PUP) ainsi qu’une version en ligne sur OpenEdition Journals ( https://journals.openedition.org/moussons/ ), intégrée aux bouquets de revues du programme Freemium d’OpenEdition.
- Les conseils aux auteurs sont disponibles à cette adresse : https://journals.openedition.org/moussons/1363
CALL FOR PARTICIPATIONS
Site and Space in Southeast Asia
Deadline: 14 January 2018
The organisers of Site and Space in Southeast Asia seek applications for participation in a two-year funded research opportunity exploring the art, architecture, and landscape of Southeast Asia.
Site and Space in Southeast Asia explores the intersections of urban space, art and culture in three cities—Yangon, Penang, and Huế—through collaborative, site-based research. With major funding from the Getty Foundation and partners from within and beyond the region, Site and Space in Southeast Asia seeks to support innovative research in the art and architectural histories of the region, foster professional networks among early career scholars, and expand engagement with an ever more global field.
The concept of site offers a rich and multivalent point of entry for constructing connected histories of art, architecture, and cultural production. Engaging with cities as sites that generate cultural narratives, Site and Space in Southeast Asia will explore spaces of memory, interaction, and production across national and regional boundaries. With a chronological span from the colonial period through independence and into the contemporary, a period of dynamic, often divergent political and social development, Site and Space in Southeast Asia seeks to enrich the study of art and architectural histories of Southeast Asia through engagement with site and space.
Over the course of the two-year research period commencing in June 2018, three small teams of researchers will be funded to conduct field and archival research exploring the physical and cultural histories of three project cities, with a particular interest in their artistic and built environments. Annual whole-of cohort workshops will allow comparative discussion of findings and mapping of future research directions. During the first year, collaborative research will allow a “coming to terms” with the city as site and its intersecting art historical themes. During the second year, researchers will pursue individual projects emerging from these themes. The project will culminate in one or more collective outputs to be determined through discussions with participants and institutional partners.
Applications are invited from early career researchers working in related areas (including art and architectural history, landscape studies, urban studies, film studies, anthropology, etc.), and are particularly welcomed from those connected to institutions in the region; with experience in modes of spatial analysis in the humanities; and with interest in exploring digital methods in site-based research. Although research will be conducted in all appropriate languages, participants must have strong spoken and written capacity in English.
Organized in partnership by researchers at the University of Sydney, Nanyang Technological University, National Gallery Singapore, the University of Malaya, the University of Toulouse, and Dumbarton Oaks, Site and Space in Southeast Asia is primarily funded by the Getty Foundation’s Connecting Art Histories initiative.
Project leaders include:
Caroline Herbelin (Toulouse), Field Director, Huế
Yin Ker (NTU), Field Director, Yangon
Mark Ledbury (Sydney), Chief Investigator
Simon Soon (Malaya), Field Director, Penang
Adrian Vickers (Sydney), Chief Investigator
Stephen Whiteman (Sydney), Chief Investigator, Project Director
To apply, please complete this form including basic biographical information, two short essays and current CV.
For questions relating to the project or the application process, please contact the project director, Dr Stephen Whiteman at stephen.whiteman@sydney.edu.au .
CALL FOR CANDIDATES
Prix 2018 de la Maison des Cultures du Monde
À l’occasion du trentième anniversaire de sa fondation, la Maison des Cultures du Monde a créé en 2012 un prix destiné à permettre à un(e) étudiant(e) ou jeune chercheur(se) la réalisation d’un projet d'étude et de valorisation d’une forme spectaculaire et/ou musicale correspondant à cette orientation artistique. Ce prix permet au/à la lauréat(e) de compléter son projet de recherche en lui offrant la possibilité de faire venir en France dans le cadre du Festival de l’Imaginaire des artistes et/ou praticiens de la forme spectaculaire et/ou musicale qu'il/elle étudie.
Le ou la lauréat(e) du Prix de la Maison des Cultures du Monde se voit offrir :
- une formation de cinq jours, au cours de laquelle les chercheurs, administrateurs et techniciens de la Maison des Cultures du Monde lui font partager leurs expérience et savoir-faire. Ces 5 jours ne sont pas forcément regroupés et peuvent prendre la forme de plusieurs rencontres, à Paris et/ou Vitré.
- une mission (voyage et séjour) d'une semaine maximum dans le pays de la forme spectaculaire ou/et de l’expression musicale étudiée dans les limites du projet et du budget retenus. Cette mission n’est pas une mission d’étude ou de recherche mais a pour but d’identifier les artistes et/ou praticiens qui seront invités au Festival de l’Imaginaire et d’initier le projet de leur venue en France.
La Maison des Cultures du Monde prend également en charge les frais relatifs à l’invitation en France des artistes et/ou praticiens de cette forme en fonction du projet et du budget retenus.
Peut concourir au Prix de la Maison des Cultures du Monde toute personne âgée de moins de trente-cinq ans effectuant des études dans une université française (niveau master I minimum), qui dans le cadre de ses recherches s’intéresse à des formes spectaculaires et/ou musicales n’ayant jamais été présentées en France, ou l'ayant été dans une interprétation différente de celle qui fait l’objet de son attention.
Les dossiers de candidature doivent être envoyés au plus tard le 15 janvier 2018 .
Le ou la lauréat(e) sera informé(e) fin janvier 2018.
Les artistes ou praticiens seront invités à la 23ème édition du Festival de l’Imaginaire (2019).
Les dossiers sont à envoyer par voie électronique à : documentation@maisondesculturesdumonde.org
Le Prix 2015 de la MCM a été remporté par Pierre Prouteau, actuellement doctorant au CASE, qui étudie le pin prayuk, un ensemble de musiques rituelles et festives rassemblé autour d'un incroyable sound system artisanal et ambulant qui accompagne et exalte les processions du calendrier bouddhique dans la province d'Isan, au nord-est de la Thaïlande.
Pour plus de renseignements voir : http://www.maisondesculturesdumonde.org/actualite/prix-de-la-maison-des-cultures-du-monde-6eme-edition
PUBLICATIONS
Revues
Le patrimoine au Cambodge
Anciens rites, nouveaux usages et enjeux d’appropriation
Heritage in Cambodia: Ancient Rituals, New Practices and Issues of Appropriation
La disparition constante des traces du passé proche dans la capitale Phnom Penh conduit à se questionner sur la valeur du patrimoine contemporain dans le Cambodge d’aujourd’hui. Le pays arbore sur son drapeau la représentation des temples d’Angkor, référence commune à un prestigieux passé, lointain et indépassable. Mais son histoire contemporaine est segmentée de mémoires concurrentes qui produisent chacune leurs propres formes de représentations. Les conflits politiques actuels s’enracinent dans ces représentations et empêchent la formulation d’un consensus quant à ce qui mérite d’être conservé et transmis aux jeunes générations. Dans un contexte de transformations majeures des relations sociales et de l’environnement propres à la transition économique, les Cambodgiens évoluent dans un chantier urbanistique permanent qui voudrait signifier l’avènement d’une nouvelle ère. Celle-ci peut-elle s’embarrasser de tels conflits mémoriels ? Ce numéro entend rendre compte des pratiques et usages du patrimoine contemporain par les Cambodgiens qui, dans ce contexte, revendiquent des formes d’appropriation différentiées de leurs identités. Il s’agit de s’interroger sur les rituels qui restituent la relation au passé pour résoudre les enjeux du présent. La patrimonialisation offre en effet une forme de sacralisation qui peut être exploitée comme un argument de défense des acquis mais aussi de promotion des pratiques sociales. En valorisant le caractère patrimonial de ces pratiques, conçues comme traditionnelles et donc identitaires, les acteurs de ces rituels risquent cependant de les figer dans un folklorisme désincarné. Leur efficience passe alors par la transformation des enjeux de leur performance pour de nouveaux publics.
Introduction
- Marie Aberdam et Téphanie Sieng
Définir le patrimoine au Cambodge [Texte intégral]Defining Heritage in Cambodia
Articles
- Frédéric Bourdier
La nature téléguidée : mise en patrimoine d’un village dans la province de Ratanakiri [Texte intégral]
The Framed Nature: Cultural Legacy of a Village in Ratanakiri Province
- Téphanie Sieng
À la conquête des marges dans le Nord-Est cambodgien : l’enjeu du patrimoine à Ratanakiri [Texte intégral]
Conquest of Cambodian Northeast Borders: The Question of Heritage in Ratanakiri
- Marie Aberdam
Chantiers de pagodes dans le Cambodge colonial (1900-1940) [Texte intégral]
Pagodas Building in Colonial Cambodia (1900-1940)
- Francesca Billeri
The Process of Re-Construction and Revival of Musical Heritage in Contemporary Cambodia [Texte intégral]
Le processus de reconstruction et le revival du patrimoine musical dans le Cambodge contemporain
- Stéphanie Khoury
De rituel local à patrimoine national, réflexions sur l’expression rurale d’un théâtre au Cambodge [Texte intégral]
From Local Ritual to National Heritage, Remarks on the Rural Expression of a Theater in Cambodia
- Sophie Biard
Réflexions sur l’histoire de l’exposition et de la restauration des effigies de culte anciennes au Cambodge [Texte intégral]
Perspective on the History of Exhibition and Restoration of Ancient Cult Effigies in Cambodia
- Anne-Laure Porée
Tuol Sleng, l’histoire inachevée d’un musée mémoire [Texte intégral]
Tuol Sleng, the Unfinished Story of a Memorial Museum
Notes
- Ang Chouléan
Le tamarin dans la cuisine des villages d’Angkor : des Mémoires de Zhou Daguan à aujourd’hui [Texte intégral]
The Tamarind in the Cuisine of the Villages of Angkor: from the Memoirs of Zhou Daguan to Today
- Olivier de Bernon
The Cambodian Newspapers Collections Gathered by the EFEO (Second Part of the xxth – Beginning of the xxith Centuries): An Unique Legacy for Research
Comptes rendus
Books reviews
- Guy Faure
Bernard Formoso, éd., Sociétés civiles d’Asie du Sud-Est continentale. Entre pilotage d’État et initiatives citoyennes [Texte intégral] Lyon, ENS éditions, 2016, 286 p.
- Jean Baffie
Marseille, IRASEC et IRD Éditions, collection « Objectifs Suds. Les Défis du développement », 2017, liste des sigles, acronymes et abréviations, illustrations, avec un cahier couleur de douze pages (24 photographies et plans), 358 p.
- Jean Baffie
Claudine Salmon, éd., « Chinese Deathscapes in Insulindia », Archipel , n° 92, [Texte intégral]
2016, 214 p.
- Bernard Formoso
Paul T. Cohen, éd., Charismatic Monks of Lanna Buddhism [Texte intégral]
Copenhagen, Nordic Institute of Asian Studies, 2017, index, 266 p.
- Jean-Louis Margolin
Mandy Sadan, éd., War and Peace in the Borderlands of Myanmar : The Kachin Ceasefire, 1994-2011 [Texte intégral]
Copenhague, NIAS Press, 2016, 517 p.
- Jean Baffie
Serhat Ünaldi, Working towards the Monarchy. The Politics of Space in Downtown Bangkok [Texte intégral]
Honolulu, University of Hawai’I Press, 2016, index, illustrations (photo, plans, croquis), 267 p.
- Jean Baffie
Sophorntavy Vorng, A Meeting of Masks. Status, Power and Hierarchy in Bangkok [Texte intégral]
NIAS Press, 2017, glossaire des termes thaïs, illustrations, bibliographie, index, 194 p.
- Bernard Formoso
Michael Sullivan, Cambodia Votes. Democracy, Authority and International Support for Elections 1993-2013 [Texte intégral]
Copenhague, Nias Press, 2016, index, 341 p.
- Philippe Le Failler
Pierre Pascal, Estampes du Viêt Nam [Texte intégral]
Nîmes, Éditions Atelier BAIE, coll. « Beaux Livres », 2017, 256 p.
- Rémi Desmoulière
Rémy Madinier, éd., Indonésie contemporaine [Texte intégral]
Bangkok-Paris, IRASEC-Les Indes Savantes, 2016, bibliographie, index, 630 p.
- Bernard Formoso
Michel Picard, Kebalian. La construction dialogique de l’identité balinaise [Texte intégral]
Paris, Cahier d’Archipel, 44, 2017, glossaire, index, figures, 353 p.
The Appropriation of Religion in Southeast Asia and Beyond Editors: Picard , Michel (Ed.)
Table of contents (9 chapters)
Introduction: Local Traditions and World Religions. Encountering ‘Religion’ in Southeast Asia and Melanesia
Picard, Michel
About Buddhist Burma: Thathana, or ‘Religion’ as Social Space
Brac de la Perrière, Bénédicte
The (Re)configuration of the Buddhist Field in Post-Communist Cambodia
Guillou, Anne Yvonne
Re-connecting the Ancestors. Buddhism and Animism on the Boloven Plateau, Laos
Sprenger, Guido
Balinese Religion in the Making: An Enquiry About the Interpretation of Agama Hindu as ‘Hinduism’
Picard, Michel
Return to the Source: A Balinese Pilgrimage to India and the Re-Enchantment of Agama Hindu in Global Modernity
Hornbacher, Annette
A Wall, Even in Those Days! Encounters with Religions and What Became of the Tradition
Barraud, Cécile
Encounters with Christianity in the North Moluccas (Sixteenth–Nineteenth Centuries)
Platenkamp, Jos. D. M.
Continuity and Breaches in Religion and Globalization, a Melanesian Point of View
Iteanu, André
The Asia Pacific Journal of Anthropology, Special issue “Potent Places in Southeast Asia ».
Guest eds. Anne Y. Guillou and B. Brac de la Perrière
2017, Volume 18, Issue 5
http://www.tandfonline.com/toc/rtap20/18/5?nav=tocList
INTRODUCTION
Potent Places and Animism in Southeast Asia, Anne Yvonne Guillou
https://doi.org/10.1080/14442213.2017.1401324
ARTICLES
Potent Places in Central Vietnam: ‘Everything that Comes Out of the Earth is Cham’, Anne-Valérie Schweyer https://doi.org/10.1080/14442213.2017.1375553
Khmer Potent Places: Pāramī and the Localisation of Buddhism and Monarchy in Cambodia, Anne Yvonne Guillou
https://doi.org/10.1080/14442213.2017.1375553
On Periodically Potent Places: The Theatre Stage as a Temporarily Empowered Space for Ritual Performances in Cambodia,Stéphanie Khoury
https://doi.org/10.1080/14442213.2017.1366545
Singing in Dangerous Places (Flores, Lamaholot, Indonesia), Dana Rappoport
https://doi.org/10.1080/14442213.2017.1372515
From Potent Dead to Potent Places? Reflections on Muslim Saint Shrines in South Asia, Delphine Ortis
